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The
Virtual Book Tour kicked off
on Oct 28th 2008, and, over 3 months, visited
blogs in the UK, the US, Australia, Malaysia, New
Zealand and Botswana.
Visit all the tour "stops":
STOPS |
DATE |
BLOG |
|
1 |
28
Oct |
Keeper of the Snails
"What
fascinates me about science I think is the “solving the puzzle”
aspect, that the universe has hidden secrets and we, humans, are trying
to crack some code, to work it out.".... Read
more.
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2 |
5
Nov |
Literary
Minded: Angela Meyer
"I
write and read short stories
because I love what can be done in such a small space, be it 50 words
or 5000 words, a magic that can be created that does not suit any other
form. Short stories, because of their nature, can be surreal, irreal,
can ask the reader to suspend disbelief and because they don’t take up
days, weeks or months of your time, you are willing, you let yourself
go into this new world..."
Read
more.
|
3 |
9
Nov |
Vanessa
Gebbie’s News
"I
do love Magical Realism and I would like to see some of my stories as
falling under this heading. I think that the name, Magical Realism, is
already thrilling – you are taking something which we might call “real”
and add a dash of magic, something otherworldly. For me, this is why I
read – I want to be lifted out of the everyday, out of the world I
know, and be shown something new, something other. ..." Read
more.
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4 |
18
Nov |
Sue
Guiney: Me and Others
"In
a way, the fiction writer's “What if...?” that he or she asks
himself is similar to the Talmudic rabbis, who discussed and pondered
every possible permutation that occurred to them, every possible
behaviour or situation that someone might come up against, in order to
formulate a Jewish answer – or more than one!" Read
more.
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5 |
26
Nov |
Tim
Jones: Books in the Trees
"
Well,
strictly speaking, interstitial fiction only exists if you
believe in the genre boundaries in the first place. But since we
haven't reached a genre-less state yet, I will answer your question.
When I wrote the stories in The White Road, I had no thought of genre,
of where they might “fit”. Plaits is a story where a woman talks to her
knees; in The White Road the main character sets up a cafe in
Antarctica; the protagonist of Rainstiffness is temporarily paralyzed
every time it rains; the main character of Self Raising makes
“scientific” cakes. I don't know where this places my stories!.."
Read
more.
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6 |
2
Dec |
Eric
Forbes’ Book Addict’s Guide to Good Books
"Ali
Smith and Lorrie Moore are enormous influences; their short stories
show me the possibilities of the form, that stories don’t have to be
mini-novels, that they can be magical and otherworldly, can play with
language. Alice Munro’s stories always inspire me, her language is
unfussy, not pretty, not frilly, yet her stories slam into you and
leave you reeling." Read
more.
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7 |
10
Dec |
Eco-libris
"Why
can't we come up with a green
alternative, one that looks and feels like paper, but can be
manufactured without cutting down trees, and doesn't involve
electricity, batteries, spare parts, noxious chemicals?" Read
more.
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8 |
16
Dec |
Kelly
Spitzer
"Side
effects. By-products.
Are
often more interesting. Get rid of the main attraction, take a peek to
the side, what’s happening in the margins, out of the spotlight. "Read
more.
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9 |
23
Dec |
Kanlaon
"Your
stories are filled with emblems.
They lend your stories a surreal quality. When did you first start
realizing the power of the image, and what kind of freedom does it give
you, to write stories clustered around images?
To
be
honest, I hadn’t thought about this until you mentioned it. I don’t
plot my stories, I hear a voice in my head, a first line, and I just
follow it and see where it goes. I don’t sit and think, well, this is
my central image and I will weave a story around this. " Read
more. |
10 |
29
Dec |
Thoughts
from Botswana
"Describe
your writing process. Do you wait for your muse to pitch up or do you
do the 9-5?
Ah,
well! Neither, actually. I tried the 9-5 for a few days and then
discovered that it doesn't work for a short story writer. Novelists
need to put in the time, they have a lot of words to get down, and many
redrafts to go through. But it doesn't help me to structure my writing
like that"
...."
Read
more. |
11 |
6
Jan |
Debi
Alper
I have to say that I do have a yearning to be born at a time when I
could be part of a writers’ group like the Bloomsbury group or any
group who got together on a regular basis to thrash out ideas and
inspire each other. And not just artists but scientists too. I remember
visiting the Kafka museum in Prague a few years ago and being jealous
of his particular set of intellectual buddies (I don't think there were
any women). Read
more. |
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